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FUTSAL (FOOTSAL)

Futsal (Portuguese pronunciation: is a variant of association football that is played on a smaller field and mainly played indoors. It can be considered a version of five-a-side football. Its name comes from the Portuguese Futebol de salão , which can be translated as “room football”. It originated from Uruguay in 1930. 

In Brazil, futsal is played by more people than football but does not attract as many spectators as the outdoor sport. Several futsal players have moved on to careers as successful professional football players.

Futsal is a game played between two teams of five players each, one of whom is the goalkeeper. Unlimited substitutions are permitted. Unlike some other forms of indoor football, the game is played on a hard court surface delimited by lines; walls or boards are not used. Futsal is also played with a smaller ball with less bounce than a regular football due to the surface of the field. The surface, ball and rules create an emphasis on improvisation, creativity and technique as well as ball control and passing in small spaces.

Summary of rules:

Length of the field minimum 25x16m, maximum 42x25m.
Ball Size 4, circumference 62–64 cm, weight between 400-440g at the start of the game.

Dropped from an height of 2m, the first rebound must not be lower than 50 cm or more than 65 cm.[11]

Time There are two periods of 20 minutes with time stopping at every dead ball. Between the two periods there is a break of 15 minutes. Each team may use one time-out per half, which lasts one minute. Some lower leagues and tournaments use 24 minute periods with running time.
Number of players There are five players for each team in the field, one of them as goalkeeper, and a maximum number of 12 players that can be used each match. Substitutions are unlimited and on-the-fly.
Fouls All direct free kicks count as accumulated fouls. A direct free kick is awarded for kicking, tripping, charging, jumping, pushing, striking, tackling, holding, spitting, and deliberate handling. Indirect free kicks, such as playing dangerously and impeding, do not count as accumulated fouls. A team is warned by the referee when they commit five accumulated fouls in a half.
Cards A yellow card is shown for unsporting behavior, dissent, time wasting, encroachment, persistent infringement, and illegal subbing. A red card is shown for serious foul play, violent conduct, spitting, denying an obvious goal-scoring opportunity, abusive language, and receiving a second yellow. Red carded players are ejected from the game and their team must play short for two minutes or until the other team scores a goal.
Free kicks Taken from the spot of the infringement or on the line of the penalty area nearest the infringement (indirect only). All opponents must be at least 5m away from the ball. The kick must be taken within four seconds or an indirect kick is awarded to the other team.
Kick from the second penalty mark Awarded when a team commits 6 or more accumulated fouls in a half. Second penalty mark is 10m from the goal, opponents must be behind the ball, goalkeeper must be at least 5m away
Penalty kick 6m from the center of the goal for fouls inside the 6m goal keeper’s area.
Goalkeeper When he’s in possession of the ball, the goalkeeper has 4 seconds to get rid of the ball. If taking too long, the referee will give an indirect kick to the other team. The goalkeeper may play freely when in the opponent’s half.
Goalkeeper pass-back restriction Once the goalkeeper has released the ball either by kicking or throwing, the goalkeeper may not touch it again until the ball goes out of play or is touched by an opponent. The sanction for violation is an indirect free kick. The goalkeeper may receive the ball freely when on the opponent’s half
Kick-in A kick-in is used instead of a throw-in. The player must place the ball on the touchline or outside but not more than 25 cm from the place the ball when out of play. The ball must be stationary and the kick-in must be taken within 4 seconds from the time the player is ready. During kick-in, opponents must stand at least 5m from the ball. If four seconds elapses or an illegal kick is taken, the referee will award a kick-in to the other team. It is not allowed to score directly from a kick-in: the goal is valid only if someone else touches the ball before it enters in goal.
Goal clearance A goal clearance is used instead of a goal kick. The goalkeeper must throw the ball with their hands and it must leave the penalty area within four seconds. If goal clearance is taken illegally the goalkeeper may retry, but the referee will not reset the count. If four seconds elapses, the other team gets an indirect kick on the penalty area line.
Corner kick The ball must be placed inside the arc nearest to the point where the ball crossed the goal line and the opponent must stand on field at least 5 m from the corner arch until the ball is in play. The corner kick must be taken within 4 seconds of being ready or else a goal clearance will be awarded to the other team. The ball is in play when it is kicked and moves.
Referees For international matches, there must be two referees: one (first referee) is positioned on the touchline near the timekeeper table and communicates with the timekeeper, while the other (second referee) is in the opposite side of the field. At the timekeeper table there is a timekeeper and a third referee, who controls the teams’ benches.

In minor events, the third referees and the timekeeper are not used. [12]

 

DELTOID, BICEPS, TRICEPS, FOREARM, ABDOMEN & OBLIQUES, LOWER BACK

Deltoid muscle:
In human anatomy, the deltoid muscle is the muscle forming the rounded contour of the shoulder,
it consists of at least seven groups that can be independently coordinated by the central nervous system.

200px-Deltoid_muscle_top8               deltoids

Biceps:
The biceps brachii commonly known as the biceps, is a two-headed muscle that lies on the upper arm between the shoulder and the elbow.

biceps

Triceps brachii muscle:

triceps


Forearm:
The forearm refers to the region of the upper limb between the elbow and the wrist

forearm

Abdominal internal oblique muscle:

abs oblique     Illu_trunk_muscles

Erector Spinae Muscles:

Gray389_-_Erector_spinae

 

CALF, PECTORAL AND TRAPEZIUS MUSCLES

The triceps surae  “three-headed [muscle] of the calf”) is a pair ofmuscles located at the calf – the two-headed gastrocnemius and the soleus. These muscles both insert into thecalcaneus, the bone of the heel of the human foot, and form the major part of the muscle of the posterior leg, commonly known as the calf muscle.

  • The triceps surae is connected to the foot through the Achilles tendon, and has 3 heads deriving from the 2 major masses of muscle.
  • The superficial portion (the gastrocnemius) gives off 2 heads attaching to the base of the femurdirectly above the knee.
  • The deep (profundis) mass of muscle (the soleus) forms the remaining head which attaches to the superior posterior area of the tibia.

th

PECTORAL MUSCLES

Pectoral muscles refers to either of the muscles that connect the front walls of the chest with the bones of the upper arm and shoulder:
Pectoralis major muscle
Pectoralis minor muscle

The pectoralis major (from Latinpectusbreast) is a thick, fan-shaped muscle, situated at the chest (anterior) of the human body. It makes up the bulk of the chest muscles in the male and lies under the breastin the female. Underneath the pectoralis major is the pectoralis minor, a thin, triangular muscle. In sports as well as bodybuilding, the pectoral muscles may colloquially be referred to as “pecs“.

images (15)

Trapezius is either one of two large superficial muscles that extend longitudinally from the occipital bone to the lower thoracic vertebrae and laterally to the spine of the scapula (shoulder blade). Its functions are to move the scapulae and support the arm.

download (4)         images (18)

images (16)

HAMSTRING

Hamstring is any of the three tendons contracted

by three posterior thigh muscles (semitendinosussemimembranosus and biceps femoris), and the term is often also used to refer to the muscles themselves. The hamstring tendons make up the borders of the space behind the knee; the muscles are involved in knee flexion and hip extension.

hamstring2-375x244

hamstring muscles

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MUSCLE AND BONE STRENGTHENING

Strength training is a type of physical exercise specializing in the use of resistance to induce muscular contraction which builds the strengthanaerobic endurance, and size of skeletal muscles.

When properly performed, strength training can provide significant functional benefits and improvement in overall health and well-being, including increased bone, muscle, tendon and ligament strength and toughness, improved joint function, reduced potential for injury,[1] increased bone density, increased metabolism, increased fitness, improved cardiac function, and improved lipoprotein lipid profiles, including elevated HDL (“good”) cholesterol.

Sports where strength training is central are bodybuildingweightliftingpowerliftingstrongmanHighland gamesshotputdiscus throw, and javelin throw. Many other sports use strength training as part of their training regimen, notably American footballwrestlingtrack and fieldrowinglacrossebasketball, poledancing (or polefitness), hockey and football.

MAJOR MUSCLE GROUP IN STRENGTHENING TRAINING:

  1. Quadriceps(front of thighs)
  2. Hamstrings(back of thighs)
  3. Calves
  4. Pectorals(chest)
  5. Latsand trapezius (back)
  6. Deltoids(shoulders)
  7. Biceps(front of arms)
  8. Triceps(back of arms)
  9. Forearms
  10. Abdomen and obliques(belly)
  11. Lower back

Quadriceps femoris muscle

is a large muscle group that includes the four prevailing muscles on the front of the thigh. It is the great extensor muscle of the knee, forming a large fleshy mass which covers the front and sides of the femur.

It is subdivided into four separate portions or ‘heads’, which have received distinctive names:

  • Rectus femorisoccupies the middle of the thigh, covering most of the other three quadriceps muscles. It originates on the ilium. It is named from its straight course.
  • The other three lie deep to rectus femoris and originate from the body of thefemur, which they cover from thetrochanters to the condyles:
    • Vastus lateralisis on the lateral side of the femur (i.e. on the outer side of the thigh).
    • Vastus medialisis on the medial side of the femur (i.e. on the inner part thigh).
    • Vastus intermediuslies between vastus lateralis and vastus medialis on the front of the femur (i.e. on the top or front of the thigh), but deep to the rectus femoris. Typically, it cannot be seen without dissection of the rectus femoris.

All four parts of the quadriceps muscle ultimately insert into the tibial tuberosity of the tibia. This is via the patella, where the quadriceps tendon becomes the patellar ligament, which then attaches to the tibia.

Quadriceps

  1. liques(belly)
  2. Lower back

HEALTH OPTIMIZING P.E. (GRADE 12)

CORE SUBJECT DESCRIPTION:

Physical Education and Health offers experiential learning for learners to adopt an active life for fitness and lifelong health. The knowledge, skills and understanding include physical and health literacy competencies support them in accessing, synthesizing and evaluating information, making informed decisions, enhancing and advocating their own as wells as other’s fitness and health.

CONTENT OF HOPE 3
(DANCE)

  • TRADITIONAL (FOLK AND ETHNIC)
  • MODERN AND CONTEMPORARY
  • BALLROOM (RECREATIONAL AND COMPETETIVE)
  • CHEER DANCE
  • HIP-HOP/STREET DANCE
  • FESTIVAL DANCE
  • TRADITIONAL (FOLK DANCE)
    • A dance performed at social functions by people with little or no professional training, often to traditionally based music, generally designed for public performance or the stage, execution dominated by an inherited tradition rather than innovation. New dancers learn informally by observing others.
    • EXAMPLES OF FOLK DANCE:
    • ØSALAKOT DANCE

      ØBAKYA

      Ø ALITAP-TAP

      Ø CARIŇOSA

      ØLAWIS-WIS KAWAYAN

      Ø KURATSA

HEALTH BEHAVIOR

Improving Your Eating Habits:

REFLECT on all of your specific eating habits, both bad and good; and, your common triggers for unhealthy eating.
REPLACE your unhealthy eating habits with healthier ones.
REINFORCE your new, healthier eating habits.

Taking on new, healthier habits may mean that you:
1. Drink skim or low-fat (1%) milk instead of 2% or whole milk.
2. Eat fruit for dessert instead of cookies (or skip dessert all together).
3. Schedule times to eat your meals and snacks.
4. Plan and prepare healthy meals and snacks to increase your chance of success.
5. Keep healthy snacks at work. Pack healthy lunches that you make at home.
6. Pay attention to your feelings of hunger. Learn the difference between physical hunger and habitual eating. 7. Put down your fork between bites.
8. Wait until you have swallowed your mouthful of food before taking the next bite.
9. Eating when you are feel worried, tense, or bored also leads to overeating.
10. Give your body and your brain time to relax from the stress of daily life. Take a mental or physical break to help you feel better without turning to food as a reward
11. Replace your candy dish with a bowl of fruit or nuts.
12. When you do have unhealthy foods in your house, put them in a place that is hard for you to reach

Differentiates Types of Eating:

  • Fueling for performance
  • Emotional Eating
  • Social eating
  • Eating while watching TV or sports event

HEALTH OPTIMIZING PHYSICAL EDUCATION

AEROBICS

PHYSICAL EXERCISES (BODY WEIGHT EXERCISES)

  • LOUNGING (Prone)
  • KNEE PUSH-UPS/90 degrees Push Up
  • HEAD LIFT
  • SQUATTING
  • SQUAT THRUST
  • SIDE PLANK
  • LOUNGING FORWARD (with hands forward)
  • FEET TWIST (while sitting)
  • TIP TOE
  • SITTING BODY TWIST

MUSIC OF FILIPINO

Cordillera

  • The flat gong commonly known as gangsaand played by the groups in the Cordillera region of the bossed gongs played among the Islam and animist groups in the Southern Philippines.
  • 2. Kalaleng or Tongali(nose flute)  Because the kalaleng is long and has a narrow internal diameter, it is possible to play different harmonics through overblowing—even with the rather weak airflow from one nostril.
    • 3. Tongatongis a bamboo percussion instrument used by the people of Kalinga to communicate with spirits during house blessings. It is made of bamboo cut in various lengths. When you hit it against soft earth a certain drone reverberates though the instrument’s open mouth. When an entire set of Tongatong is played in interloping rhythm and prolonged with the tribal chanting, it could put the audience and the dancers in a trance
    • 4. Diwdiw-asis 5 or more different size of slender bamboo that is tied together.
      • 5. Saggeypoit is a bamboo pipe that is closed on one end by a node with the open end held against the lower lip of the player as he blows directly across the top. The pipe can be played individually by one person or in ensembles of three or more.
      • 6. Solibao is hallow wooden Igorot drug topped with pig skin or lizard skin this is played by striking the drum head using the palm of the hand.
      • 7. Bungkaka- bamboo buzzer.
      • 8. Kullitong- polychordal bamboo tube zither.
      • 9. Ulibaw- bamboo jaw’s harp
      • 12. Paldong- bamboo lip-valley flute
      • Kulintangrefers to a racked gong chimeinstrument played in the southern islands of the Philippines, along with its varied accompanying ensembles.
      • ensembles. Different groups have different ways of playing the kulintang. Two major groups seem to stand-out in kulintangmusic. These are the Maguindanaon and the Maranaw. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China from before the 10th century CE, or more likely, to the introduction of bossed gong chimes from Java in the 15th century.
    • Harana and Kundiman

CONTEMPORARY PHILIPPINE ART from Regions

Contemporary Art:

-—art produced at the present period in time.

—Contemporary art includes, and develops from, Postmodern art, which is itself a successor to Modern art.

—In vernacular English, “modern” and “contemporary” are synonyms, resulting in some conflation of the terms “modern art” and “contemporary art” by non-specialists.

Contemporary art forms are the following:

—1. Choreography

—2. Musical instrument

—3. Literary and music composition

—4. Visual design

—5. Theatrical performance

 

Contemporary dance:

—-is a popular form of dance which developed during the middle portion of the twentieth century and has since grown to become one of the dominating performance genres for formally trained dancers throughout the world,

—-with particularly strong popularity in the U.S. and western Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has since come to incorporate elements from many styles of dance.

—-but due to its popularity amongst trained dancers and some overlap in movement type, it is often perceived as being closely related to modern dance, ballet and other classical concert dance styles.

 

MUSIC, DANCE & THEATER

MUSIC OF FILIPINO: Cordillera-

  • The flat gong commonly known as gangsaand played by the groups in the Cordillera region of the bossed gongs played among the Islam and animist groups in the Southern Philippines.
  • 2. Kalaleng or Tongali(nose flute)  Because the kalaleng is long and has a narrow internal diameter, it is possible to play different harmonics through overblowing—even with the rather weak airflow from one nostril.
    • 3. Tongatongis a bamboo percussion instrument used by the people of Kalinga to communicate with spirits during house blessings. It is made of bamboo cut in various lengths. When you hit it against soft earth a certain drone reverberates though the instrument’s open mouth. When an entire set of Tongatong is played in interloping rhythm and prolonged with the tribal chanting, it could put the audience and the dancers in a trance
    • 4. Diwdiw-asis 5 or more different size of slender bamboo that
      is tied together.
      • 5. Saggeypoit is a bamboo pipe that is closed on one end by a node with the open end held against the lower lip of the player as he blows directly across the top. The pipe can be played individually by one person or in ensembles of three or more.
      • 6. Solibao is hallow wooden Igorot drug topped with pig skin or lizard skin this is played by striking the drum head using the palm of the hand.
      • 7. Bungkaka- bamboo buzzer.
      • 8. Kullitong- polychordal bamboo tube zither.
      • 9. Ulibaw- bamboo jaw’s harp
    • Southern Islands: